Propellerheads Reason 5.0 (MacOSX and Windows) | 7.5GB

Reason is a virtual inch rackmount instruments and effects which has long been a st of “magic wand” f all musicians. With an intuitive interface the most comprehensive suite of tools and effects as well as a rich sonic palette Reason – software that inspires and helps to write music. In version 5 were added powerful Kong Drum Designer multi-Dr. Octo Rex Loop Player live sampling a new method of sequencing built on the Blocks mode and much much me.

Release Date: 2010

Name of Program: Propellerhead Reason 5 x86 Windows Mac OS X Full

Program Version: 5 Build 1428

The latest version of the program: 5 Build 1428

Address official site:

Language: Multi

Treatment: Complete

Type of medicine: ready Image

System requirements:

MacOS

* Intel Mac (multice – preferably)

* Mac OS X 10.4 higher

* 1 me GB of RAM

* DVD drive

* 2 GB free hard disk space

* Minimum screen resolution of 1024×768

* Ability f Internet registration

* MIDI interface and MIDI keyboard (optional)

Windows

* Intel P4/AMD Athlon XP 2GHz (multi-ce – preferably).

* Windows XP SP3 Vista Windows 7

* Audio Interface with ASIO drive

* 1 me GB of RAM

* DVD drive

* 2 GB free hard disk space

* Minimum screen resolution of 1024×768

* Ability f Internet registration

* MIDI interface and MIDI keyboard (optional)

Raise the creation of their musical creations to a new level!

During the wk you own komplektuete rack. If desired you can simply “flip” the rack and connect audio cables as you want and how you wish. Reason In all as in this studio only faster and me reliable.

Search f “their” sound is very imptant when wking with music. Extensive Sound Bank Reason would be an excellent tool in this difficult but such an imptant matter. Gigabytes of synth patches multisemplovyh instruments drum kits and effects – you will find what you are looking f. Want me* Then tons of paid and completely free Refills are waiting f you!

That really becomes a real surprise f new users Reason – it is an opptunity to fulfill a lot of wk over a sht period of time and certainly not with the incomparable pleasure from wk. Legendary wking interface allows Reason to concentrate fully on music. Reason – a fully integrated environment – less dialog boxes me music!

Each element in Reason can be configured. All the sliders buttons and levers are located on the front panel directly in front of you. All functions are located on the front panel such as filter settings pitch pan you can recd and automate a sequencer Reason.

One pressing “perevertite” rack and you will see the holy of holies Reason – patch cd. Most audio connections are created automatically. When a new device it instantly appears under the device selected at the moment and immediately incpated into the wkflow. Reconnect patch cd to another connect and create new and iginal sounds modify existing presets.

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Years in the making, Visual Effects For Directors is a massive 7 DVD set that covers everything you need to know about shooting Visual Effects.

The course is intense training on everything from green screen, virtual set, 3D, camera tracking, and motion control, to character animation, motion capture, crowd replication, digital set extension, VFX cinematography, compositing, and much, much, much more.

The course is completely unique, in that it’s about understanding exactly what to do on the set, so that more of the budget ends up in front of the camera instead of being wasted on fixing impossible problems in post — and trust us, it happens every day, even by big guys who should know better.

This is training that everybody needs, from Directors and DPs to highly professional Visual Effects Artists, because the challenge is the same: to make some really good decisions during shooting that you know for a fact will work easily in post. Even many Visual Effects Artists haven’t explored this aspect.

The course covers everything from basic visual effects to advanced techniques. While part of the DVD series is geared towards high-budget shooting, the majority of it is exactly about how to do things like blockbuster green screen for practically no money.

For example, the green screen cyc stage used in the course was built, painted and lit for less than $700, and we show how it was done. Once you understand what’s important, you can do top-notch work for very little money.

Course Outline:

VOLUME I: 3D PRIMER

1. Introduction

2. Shading And Mapping Part I

3. Shading And Mapping Part II

4. Simple Lighting

5. Advanced Lighting

6. Modeling Tools

7. Modeling Objects And Characters

8. Image-Based Modeling

9. Basic Animation

10. Character Rigging

11. Character Animation Part I

12. Character Animation Part II

VOLUME II: MIXING AND MATCHING

1. Overview

2. Compositing Primer

3. Node-Based Compositing

4. Pulling A Matte

5. Garbage Matting / Rotoscoping

6. Compositing Without A Matte

7. 2D Tracking

8. How Trackers Work

9. Planar Tracking

10. How To Shoot For Planar Tracking

11. Camera Matching

VOLUME III: MIXING AND MATCHING

1. Matchmoving

2. How To Shoot For Matchmoving Part I

3. How To Shoot For Matchmoving Part II

4. Motion Control

5. Matching Lighting And Shadows

6. Casting Shadows Into Live-Action

7. The Double-Shadows Problem

8. Receiving Shadows

9. Casting And Receiving Reflections

10. Casting And Receiving Light

11. Matching Camera Look

12. Interaction Part I: Live-Action Affecting 3D

VOLUME IV: MIXING AND MATCHING

1. Interaction Part II: 3D Affecting Live-Action

2. Virtual Props

3. Motion Capture Primer

4. In-Shot Motion Capture: Body Tracking

5. In-Shot Motion Capture: Face Tracking

6. Object Removal Part I

7. Object Removal Part II

8. Crowd Replication

VOLUME V: GREEN SCREEN INTENSIVE

1. 2 Kinds Of Green Screen, 3 Kinds Of Shooting

2. Green Vs. Blue

3. Color Sampling

4. Back-Drop Green Screen Part I

5. Back-Drop Green Screen Part II

6. Renting And Prepping A Cyc Stage

7. Building And Painting A Green Screen Cyc

8. Lighting A Green Screen Cyc

9. Keying Part I: Solids

10. Keying Part II: Transparency

11. Keying Part III: Preventing And Handling Spill

VOLUME VI: GREEN SCREEN INTENSIVE

1. How To Place Tracking Markers Part I

2. How To Place Tracking Markers Part II

3. Matching Lighting

4. Matching Direction, Quality, Ratio

5. Extracting And Faking Shadows

6. Receiving Shadows And Light

7. Casting And Receiving Reflections

8. Physical Contact

9. Directing And Blocking On A Virtual Set

10. Giant Green Screen

11. Warping

12. Cinematography Checklist

VOLUME VII: SIMULATION / COMPS

1. Physics

2. Particles And Fluids

3. Instantiation

4. Cloth, Hair, Demolition

5. Digital Stunt People

6 . Fusion Nodes

7 . Shot Analysis: F-16 Over Ocean

8 . Shot Analysis: T-Rex Chase

9 . Shot Analysis: Car Crash

10. Shot Analysis: Garden Shadows

11. Shot Analysis: Embassy Shootout

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Screenshot

This training course will help you understand how you can leverage the open source Flex framework to build RIAs. To make it easier for you to learn Flex, you will use the Eclipse-based Flash Builder 4.5 development tool, which includes the Flex framework and provides features such as intelligent coding, interactive step-through debugging, and visual design of the user layout

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Screenshot

Psdtuts Plus Tutorials With Source Files

eLearning | 4.82 GB



Psdtuts+ is a blog/Photoshop site made to house and showcase some of the best Photoshop tutorials around. We publish tutorials that not only produce great graphics and effects, but explain the techniques behind them in a friendly, approachable manner. Adobe Photoshop is a fantastically powerful program and there are a million ways to do anything, we hope that reading Psdtuts+ will help our readers learn a few tricks, techniques and tips that they might not have seen before and help them maximize their creative potential!

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John Wingert HypnoHitting

DVD-Rip | AVI | English | 512×384 | mpeg4 1732 kb/s | 29.97 fps | mp3 stereo 96 kb/s | 00:56:28 | 706.38 MB

Genre: eLearning / Martial Arts



HypnoHitting puts your opponent, enemy, even your mother-in-law into SPLIT SECOND – Instant TRANCE! Giving you plenty of time to take them out, dance a jig, or give them a flaming phobia!

Ready to learn these secrets that will take your martial art to the red line, principles and INSTANT TRANCE PRINCIPLES that will give you the power to hit anyone anywhere? Get this easily and quickly with this hard to find out of production DVD by my teacher, John Wingert.

One of the main keys you’ll notice on the DVD Crash Course “Hypno Hitting” is how he induces trance quickly by just gently bumping your attackers arm, with precision placement and timing, then either programming a phobia in or taking him out instantly. That’s why his Hypnosis Products work! That’s why his Neuro Linguistic and Hypnosis Products work!

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Screenshot

A 2-DVD set featuring a step-by-step breakdown of Joe Satriani’s guitar styles and techniques. Learn the trademark riffs and solos behind one of the most influential guitarists of all time. Each riff and solo is played up to speed, then broken down note by note.

Content:

* Introduction (0:59)

1. Big Bad Moon (30:41)

2. Cryin’ (43:56)

3. Flying In A Blue Dream (37:43)

4. Friends (32:01)

5. Rubina (34:22)

6. Summer Song (54:20)

* Conclusion (0:43)

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Rodney Yee – Yoga Journal’s Yoga Practice For Energy

English | MPG | MPEG 6511 kbps 29.970 fps | 720 x 480 | MP2 224 kbps 48 KHz Stereo | 1h02mns | 2.8 GB

Genre: Training

Yoga Journal’s approach to instructional yoga tapes is always innovative, but their hour-long Yoga Practice for Energy is truly different. Filmed at the beach on Maui, the sessions Awakening, Centering, Creativity, Reflection, and Surrender offer movements that follow the cycle of the sun through the course of a day. Viewers are encouraged to first try the entire tape several times, and then use the sessions that correspond to their needs at any particular time. For example, if you’ve just trudged in the door from a hectic day, you may want to use the Reflection session, in which “a cooling, tranquil series of forward bends and hip openers let all activities of the day seep in like watercolors setting into paper.” There is almost no narrative accompanying the five practice sessions, and if you are a beginner you may feel lost at first viewing. Have no fear: there is a wonderful appendix of poses at the end of the tape to which you can refer for tips on technique and variations.

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ScreenShots:

Nelson Campos and Sophia Meyer – Kizomba Levels 1 and 2

English | VOB | MPEG 5092 kbps 25 fps | 720 x 576 | AC3 192 kbps 48 KHz Stereo | 4.1 GB

Genre: Training

A couple are dancing, cheek to cheek. Their bodies lean in towards each other as their feet weave in intimate conversation; his hand presses against her back, tacitly signalling the next move. It looks like a tango, except that the way the dancers’ hips sway and their bodies rock is unmistakeably African.

This is kizomba, and it’s the latest trend to sashay across London’s dancefloors. Kizomba originated in Angola in the ’80s but wasn’t really seen in the UK until a few years ago. Recently, however, its profile has soared, thanks to dancer and teacher Iris de Brito. De Brito is a native Angolan, who came to London more than a decade ago. Trained in ballet, jazz and contemporary dance, she was a fixture on the salsa scene before having the idea of introducing kizomba to the wider world. The word ‘kizomba’ means ‘party’ in the Angolan language Kimbundo, and it’s danced to music of the same name, a fusion of French Caribbean zouk and Angolan semba. The dance shares the same roots, although that probably doesn’t mean much to an English audience.

‘The first time I started advertising kizomba I called it Afro-tango,’ says de Brito. ‘I hate putting things in boxes but it’s a way for people to visualise the dance. The way we move has a lot to do with tango, but it’s not as strict in terms of body movement, which is where the African side has an influence, with the undulation of the body.’ Kizomba is more laid back than tango, and more intimate, slow and sensual than salsa. It’s sexy, but in an effortless way.

‘I like the connection you have when you’re dancing with somebody,’ says de Brito. ‘It’s a little bit more interior, it’s not so much about showing off. The connection is closer and more personal, without being seedy.’

Kizomba fans in London are an eclectic bunch. Doctors, engineers and financial analysts are among the mix at Kizomba UK’s regular Thursday night events. ‘It’s a social dance, anybody can do it if they’re taught properly,’ says de Brito, adding, ‘It’s going to open the door to Angolan culture.’

For de Brito, honouring kizomba’s heritage is important. Having not been back to Angola for more than 15 years (three decades of civil war have made it difficult and dangerous to travel there) this connection with her homeland is a vital one, and she’s keen to see the dance form gets the respect it deserves.

To that end she’s currently creating an official kizomba syllabus and teaching at her Studio Afro Latino in Hackney as well as at Kizomba UK’s Thursday club nights. This Friday she’ll be at monthly salsa night El Grande in Vauxhall, along with guest dancers Paula Loureiro and Ricardo Sousa from Portugal. All of which means plenty of excuses to put on your dancing shoes.

WHAT IS KIZOMBA?

Existing since the 80s, Kizomba is an African dance that, in recent years, has won the heart of many pairs dancing in clubs and discos around the world. With its own very particular steps, rhythms and music, who knows how to dance Kizomba doesn’t want another thing and who do not know, just wants to learn!

Kizomba is a term that derives from another Angolan terminology “Kimbundo” which means “party”. Kizomba as we know it today has been built from the merger between various genres of music and dance steps, being a real mixture of dance styles. It is impossible to speak about Kizomba without speaking in the traditional dances that preceded and influenced it: Semba (the predecessor of Samba), Zouk (from the islands Antilles), Coladeira (from Cape Verde), not forgetting the big contribution to the solidification of Kizomba that came from Tango and Merengue.

The BOOM

When hearing the traditional music as Semba and Zouk, the younger generations of Angola felt that something was missing – a modern and sensual touch. The result was the composition of a slower and very sensual pace: Kizomba as we know today. Explosive and contagious, Kizomba conquered the world as a sound that stays in the ear and as a dance that seduces your soul. Currently, Kizomba is very popular in Portugal, England, France, Holland, and spreading fast all around the world.

Review: Kizomba Levels 1 and 2 with Nelson Campos and Sophia Meyer

I’ll be honest, this whole Kizomba craze thats sweeping the nation at the moment, has been crazy to watch as it starts to not only grow but evolve.

As a salsa dancer, i haven’t really got my head around the dance yet so i decided to have a look at a DVD to see if it made more sense!

Nelson and Sophia start by explaining about what the dance is and where it evolves from. They then take you through each step, demonstrating first and then breaking down both the ladies and mens steps.

Both of their instruction technique is very easy to follow and i found it very easy to pick up the steps after only watching them once!

Nelson and Sophia make this DVD both easy to follow and enjoyable to watch. I think this DVD would be a useful aid for a complete beginner and the seasoned Kizomba dancer looking either for a refresher or to progress onto the next stage.

Keep your eyes peeled, you never know, you might see this seasoned salsa dancer busting some Kizomba moves out there sometime soon!

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onOne FocalPoint 2 Training

English | 800×500 | VP6F | 15fps 1638kbps | MP3 128kbps | 364MB

Genre: eLearning

FocalPoint 2 is an amazing new application that allows you to simulate the blur and depth of field you would think could only be done in camera. But what if you can’t shoot a f/1.2 or even f/2.8 and you want that soft, creamy background? That’s where FocalPoint 2 comes in to save the day.

FocalPoint 2 lets you create realistic selective focus, depth-of-field and vignette effects that tell your viewers exactly where to look. The intuitive FocusBug controller is just like using a tilt-shift or selective focus lens right inside of Adobe Photoshop.

Set your area of focus and then select a lens to simulate or create your own by controlling the amount and kind of blur, even in 3D. With the new FocusBrush tool you can paint sharpness or blur where you want it. It has never been easier or faster to focus your viewer’s eye and minimize distractions.

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The first work both in English and French aimed at all levels of yoga practitioners, this Ashtanga Yoga video features Darby’s near-weightless gliding flow, while his student Nicole provides a counterpoint to show how beginners can approach the Primary Series of Ashtanga Yoga.

Mark Darby has been practicing Ashtanga Yoga for over 25 years. He began with Sri K. Pattabhi Jois in 1979 when he spent four years in Mysore, India. He is one of few teachers worldwide who has attained the highest level of Ashtanga Yoga teaching accreditation, having been certified by Pattabhi Jois to teach the original Ashtanga method.

Nicole Bordeleau is an Ashtanga Yoga student and teacher in Montreal who has studied with Darby for many years. Co-founder of Yoga Monde, Nicole has also received solid professional training from teachers of international repute, such as Richard Freeman and David Swenson.

Contents includes:

- The primary series (90 mins)

- Short form (30 mins)

- Short practice (10 mins)

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