Craig Baldwin (born 1952) is an American experimental filmmaker. He uses пїЅfoundпїЅ footage from the fringes of popular consciousness as well as images from the mass media to undermine and transform the traditional documentary, infusing it with the energy of high-speed montage and a provocative commentary that targets subjects from intellectual property rights to rampant consumerism.
BaldwinпїЅs 1999 film, Spectres of the Spectrum, is a science fiction allegory which tells the story of a young woman with telepathic powers, who travels back in time to save the world from an electro-magnetic pulse. The film takes a cautionary stance against the media outlets in charge of creating and perpetuating the popular mainstream, and in doing so, follows the trajectory, through collage, of media from its beginnings to the present.

Craig Baldwin (born 1952) is an American experimental filmmaker. He uses пїЅfoundпїЅ footage from the fringes of popular consciousness as well as images from the mass media to undermine and transform the traditional documentary, infusing it with the energy of high-speed montage and a provocative commentary that targets subjects from intellectual property rights to rampant consumerism.

Craig Baldwin (born 1952) is an American experimental filmmaker. He uses пїЅfoundпїЅ footage from the fringes of popular consciousness as well as images from the mass media to undermine and transform the traditional documentary, infusing it with the energy of high-speed montage and a provocative commentary that targets subjects from intellectual property rights to rampant consumerism.