Have you ever felt that JRPGs can be a bitпїЅ well, sterile? That you're essentially walking down a series of very pretty corridors dressed up as castles or forests or caves full of doors you can't open, knee-high walls that you can't jump over and enemies that can only be fought in separate, specially-approved arenas? The Last Story isn't like that.

Have you ever felt that JRPGs can be a bitпїЅ well, sterile? That you're essentially walking down a series of very pretty corridors dressed up as castles or forests or caves full of doors you can't open, knee-high walls that you can't jump over and enemies that can only be fought in separate, specially-approved arenas? The Last Story isn't like that.

Have you ever felt that JRPGs can be a bitпїЅ well, sterile? That you're essentially walking down a series of very pretty corridors dressed up as castles or forests or caves full of doors you can't open, knee-high walls that you can't jump over and enemies that can only be fought in separate, specially-approved arenas? The Last Story isn't like that.

The War on Drugs has become the longest and most costly war in American history, the question has become, how much more can the country endure? Inspired by the death of four family members from "legal drugs" Texas filmmaker Kevin Booth sets out to discover why the Drug War has become such a big failure. Three and a half years in the making the film follows gang members, former DEA agents, CIA officers, narcotics officers, judges, politicians, prisoners and celebrities. Most notably the film befriends Freeway Ricky Ross; the man many accuse for starting the Crack epidemic, who after being arrested discovered that his cocaine source had been working for the CIA. AMERICAN DRUG WAR shows how money, power and greed have corrupted not just dope fiends but an entire government. More importantly, it shows what can be done about it. This is not some 'pro-drug' stoner film, but a collection of expert testimonials from the ground troops on the front lines of the drug war, the ones who are fighting it and the ones who are living it.

Fifty years ago there were close to half-a-million lions in Africa. Today there are around 20,000. To make matters worse, lions, unlike elephants, which are far more numerous, have virtually no protection under government mandate or through international accords. This is the jumping-off point for a disturbing, well-researched and beautifully made cri de coeur from husband and wife team Dereck and Beverly Joubert, award-winning filmmakers from Botswana who have been Explorers-in-Residence at National Geographic for more than four years. Pointing to poaching as a primary threat while noting the lion's pride of place on the list for eco-tourists-an industry that brings in 200 billion dollars per year worldwide-the Jouberts build a solid case for both the moral duty we have to protect lions (as well as other threatened "big cats," tigers among them) and the economic sense such protection would make...

The story first begins with no Phantom. The 21st Phantom was the last of the series. Kit Walker Jr. refused to take up the mantle as the masked crime fighter and is on a comfortable ride of life and family, while handling the day-to-day affairs of the Walkabout Foundation, an organization created by one of the previous Walkers to help support charities in Bengala, and the surrounding nations of Africa. This volume of comic books describes the Kit Walker Jr.'s course and whether he will continue to lead that comfortable life or does the destiny bring him back to be the Guardian of the Eastern Dark.

A married father of three tries to maintain his manliness in a world increasingly dominated by women.

A married father of three tries to maintain his manliness in a world increasingly dominated by women.

A married father of three tries to maintain his manliness in a world increasingly dominated by women.